Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 12:

Yet another sign of the times was the permission given not so very long ago to the drivers of taxi-cabs to smoke while driving fares—a development regarding which there may well be two opinions.

The number of cigarette-smokers nowadays is legion; but to a very large number of "tobacconists" (in the old sense of the word) a pipe remains the most satisfactory of "smokes." A cigar or a cigarette is—and it is not; the pipe renders its service again and again and yet remains—a steadfast companion. "Over a pipe" is a phrase of more meaning than "over a cigarette." Discussions are best conducted over a pipe. No one can get too excited or over-heated in argument, no one can neglect the observance of the amenities of conversation, who talks thoughtfully between the pulls at his pipe, who has to pause now and again to refill, to strike a light, to knock out the ashes, or to perform one of those numberless little acts of devotion at the shrine of St. Nicotine, which fill up the pauses and conduce to reflection. The Indians were wise in their generation when they made the circulation of the pipe an essential part of their pow-wows. A conference founded on the mutual consumption of tobacco was likely, not, as the frivolous would say, to end in smoke, but to lead to solid and lasting results. "The fact is, squire," said Sam Slick, "the moment a man takes a pipe he becomes a philosopher." The pipe, says Thackeray, "draws wisdom from the lips of the philosopher, and shuts up the mouth of the foolish; it generates a style of conversation, contemplative, thoughtful, benevolent and unaffected.... May I die if I abuse that kindly weed which has given me so much pleasure."

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning:

Come hither, mine host, come hither!
Come hither, mine host, come hither!
I pray thee, mine host,
Give us a pot and a tost,
And let us drinke all together.

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